Kino Stool

Inspired by the usefulness of a simple stool and its ability to perform many roles, the design brief for Kino was to create one object whose functionality was both endless and timeless. The solution, which is equal parts furniture and sculpture, was conceived by Kensaku Oshiro, as a stacking stool that takes on different expressions depending on the materials used and one’s perspective.

Everyday Usefulness

Kino’s universal shape, range of materials, and portable scale make it useful for an endless range of everyday scenarios; whether alone or in groups, as a seating surface, a work surface, and everything in-between.

Functional Sculptures

As an interior element, the pure and elegantly connected forms of Kino – its triangular structure, circular top, and rectangular legs - take on sculptural qualities. When Kino is stacked, this effect is accentuated, enriching the interior experience.

Visible Craft

The details of Kino are front and center, providing for a deep connection to materials and craft. This is highlighted by the signature relationship of the leg to the top, where the two elements mirror the curvature of each other with intent and perfection.

Different from Every Perspective

Kino was designed to offer different visual expressions, depending on one’s perspective. From a low position the angular and dynamic underside is revealed, and from above the circular top and leg details take center stage. When stacked, the repetition of forms offers yet another distinctive and engaging presence.